In the town where I was born,
Lived a man who sailed to sea,
And he told us of his life,
In the land of submarines,
So we sailed on to the sun,
Till we found the sea green,
And we lived beneath the waves,
In our yellow submarine,
We all live in a yellow submarine,
yellow submarine, yellow submarine,
We all live in a yellow submarine,
yellow submarine, yellow submarine.
And our friends are all aboard,
Many more of them live next door,
And the band begins to play.
(Trumpets play)
We all live in a yellow submarine,
yellow submarine, yellow submarine,
We all live in a yellow submarine,
yellow submarine, yellow submarine.
(Full speed ahead, Mr. Barkley, full speed ahead!
Full speed over here, sir!
All together! All together!
Aye, aye, sir, fire!
Captain! Captain!)
As we live a life of ease(life of ease)
Every one of us(every one of us) has all we need,(has all we need)
Sky of blue,(sky of blue) and sea green,(sea of green)
In our yellow(In our yellow) submarine.(submarine) ( Haha! )
We all live in a yellow submarine,
yellow submarine, yellow submarine,
We all live in a yellow submarine,
yellow submarine, yellow submarine.
(fading)
We all live in a yellow submarine,
yellow submarine, yellow submarine,
We all live in a yellow submarine,
yellow submarine, yellow submarine.
"Yellow Submarine" is a 1966 song by the Beatles, written by Paul McCartney (credited to Lennon–McCartney), with lead vocals by Ringo Starr. It was included on the Revolver album and issued as a single, coupled with "Eleanor Rigby". The single went to number 1 on every major British chart, remained at number 1 for four weeks and charted for 13 weeks. It won an Ivor Novello Award "for the highest certified sales of any single issued in the UK in 1966".
It became the title song of the 1968 animated United Artists film, also called Yellow Submarine, and the soundtrack album to the film, released as part of the Beatles' music catalogue.
COMPOSITION
McCartney was living in Jane Asher's parents' house when he found the inspiration for the song: "I was laying in bed in the Ashers' garret... I was thinking of it as a song for Ringo, which it eventually turned out to be, so I wrote it as not too rangey in the vocal, then started making a story, sort of an ancient mariner, telling the young kids where he'd lived. It was pretty much my song as I recall... I think John helped out. The lyrics got more and more obscure as it goes on, but the chorus, melody and verses are mine." The song began as being about different coloured submarines, but evolved to include only a yellow one.
In 1980, Lennon talked about the song: "'Yellow Submarine' is Paul's baby. Donovan helped with the lyrics. I helped with the lyrics too. We virtually made the track come alive in the studio, but based on Paul's inspiration. Paul's idea. Paul's title... written for Ringo." Donovan added the words, "Sky of blue and sea of green". McCartney also said: "It's a happy place, that's all. You know, it was just... We were trying to write a children's song. That was the basic idea. And there's nothing more to be read into it than there is in the lyrics of any children's song."
RECORDING
Produced by George Martin and engineered by Geoff Emerick, "Yellow Submarine" was finished after five takes on 26 May 1966, in Studio Two at Abbey Road Studios, with special effects being added on 1 June 1966. George Martin drew on his experience as a producer of comedy records for Beyond the Fringe and The Goon Show, providing an array of zany sound effects to create the nautical atmosphere. On the second session the studio store cupboard was ransacked for special effects, which included chains, a ship's bell, tap dancing mats, whistles, hooters, waves, a tin bath filled with water, wind and thunderstorm machines, as well as a cash register, which was later used on Pink Floyd's song "Money".
Lennon blew through a straw into a pan of water to create a bubbling effect, McCartney and Lennon talked through tin cans to create the sound of the captain's orders, at 1:38-40 in the song, Ringo stepped outside the doors of the recording room and yelled like a sailor acknowledging "Cut the cable! Drop the cable!", which was looped into the song afterwards, and Abbey Road employees John Skinner and Terry Condon twirled chains in a tin bath to create water sounds. After the line, "and the band begins to play", Emerick found a recording of a brass band and changed it slightly so it could not be identified, although it is thought to be a recording of Georges Krier and Charles Helmer's 1906 composition, "Le Rêve Passe". The original recording had a spoken intro by Starr, but the idea was abandoned on 3 June 1966.
When the overdubs were finished, Evans strapped on a marching bass drum and led everybody in a line around the studio doing the conga dance whilst banging on the drum.
"Yellow Submarine" was mixed on 2 and 3 June, and finished on 22 June 1966.
RELEASE
The "Yellow Submarine" single was the Beatles' thirteenth single release in the United Kingdom. It was released in the UK on 5 August as a 'double A side' with "Eleanor Rigby", and in the United States on 8 August. The Revolver album was released the next day.
As recorded, Lennon repeats Starr's line of "A life of ease" as he does with all subsequent lines in the final verse. This line can be heard on the single, Yellow Submarine Songtrack and Real Love single release, but in all other releases, the line is missing.
RECEPTION
The single went to number 1 on every major British chart, remained at number 1 for four weeks and charted for 13 weeks. It won an Ivor Novello Award for the highest certified sales of any single issued in the UK in 1966. No promotional film clip was made, so some TV programs (including the BBC's Top of the Pops) created their own clips from stock footage.
In the United States, the single reached number 2 on the Billboard Hot 100, number 1 in Record World, and number 2 in Cashbox, where it was held off number 1 by The Supremes' "You Can't Hurry Love". The single was released during the controversies about the "Butcher Cover" (the Yesterday and Today album cover) and Lennon's remarks about Christianity, which are cited as part of the reason the song failed to reach number 1 on all US charts. It sold 1,200,000 copies in four weeks and earned the Beatles their twenty-first US Gold Record award, beating the record set by Elvis Presley.
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