Subculture being separate from style.
• Skateboarding/ parkour and free running/
graffiti as a performance of the city
• The Riot Grrrl movement as a feminine
and feminist subculture
• The portrayal of youth subculture in film
and photography
Subculture reactions
Dogtown and Z Boys (2001) used a mix of original photography and up to date documentary footage to investigate a skate board team, film provides a good history of skateboarding and to some extent surf culture. Film is financed by Vans. Interesting reuse of existing spaces, - recreated in contemporary skate parks.
In terms of style, the clothing was more chosen for practical use, protect from injury, no differentiation from males and females, not a particularly feminine aspect to it.
Ian Borden - 'Performing the City'
Urban street skating is more ‘political’ than 1970’s skateboarding‘s use of found terrains: street skating generates new uses that at once work within (in time and space) and negate the original ones
- Looks at skateboarding in a more political way, argues that it gives the body something to do other than skate around the city scape. A way of being in the city that is resisting the direction of the city itself,
Lords of Dogtown:
Skate culture as substitute family
PARKOUR / FREE RUNNING
Free running, potentially more creative, freedom of movement
PARKOUR:
a method of movement
focused on moving
around obstacles with
speed and efficiency.
Originally developed in
France, the main purpose
of the discipline is to
teach participants how to
move through their
environment by vaulting,
rolling, running, climbing
and jumping.
FREE RUNNING:
a form of urban acrobatics
in which participants,
known as free runners,
use the city and rural
landscape to perform
movements through its
structures
places more emphasis on
freedom of movement
and creativity than
efficiency
NANCY MCDONALD THE GRAFFITI SUBCULTURE:
Here (on the street)
real life and the
issues which may
divide and influence
it, are put on pause.
On this liminal terrain
you are not black,
white rich or poor.
Unless you are
female, ‘you are what
you write’.
-Status that doesn't come from the way you look
Black Graffiti writer Prime:
I mean I’ve met people that I would never
have met, people like skinheads who are
blatantly racist or whatever. I can see it in
them and they know we know, but when
you’re dealing on a graffiti level,
everything’s cool and I go yard with them,
they’d come round my house , I’d give
them dinner or something.
Describes the levelling on different cultural or racial groups, graffiti separating your identity from your visual appearance.
Miss Van
McDonald suggest
that women come to
the subculture laden
with the baggage of
gender in that her
physicality (her looks)
and her sexuality will
be commented on
critically in a way that
male writers do not
experience
-baggage of gender and looks more difficult to escape from if your a female writer. Using her over sexual figure, could read it as a focus of appearance or putting femininity in peoples faces.
SWOON (US)
“In the meantime
there was a lot of
attention coming my
way for being female,
and it just made me
feel alienated and
objectified, not to
mention patronized.
‘Look at what girls can do-aren’t they cute?’ To hell with that shit. I don’t want it.”
‘Look at what girls can do-aren’t they cute?’ To hell with that shit. I don’t want it.”
-US graffiti artist, black woman resting on top of the city, very politically motivated, does projects in areas that are needed urban generation.. The fact that the ares run down.
Angela Mc Robbie and Jenny Garber:
Girl subcultures may
have become more
invisible because the
very term ‘subculture’
has acquired such
strong masculine
overtones (1977)
MOTORBIKE GIRL:
suggests a powerfully sexual, almost deviant, biker female, suggest perhaps not true to the femininity of the time, exaggerated masculinity and femininity.
Brigitte Bardot 1960’s
• Suggests sexual deviance which is a fantasy not reflective of most conventional real life femininity at the time
• Suggests sexual deviance which is a fantasy not reflective of most conventional real life femininity at the time
HELLS ANGELS
In rocker and motorbike
culture girls usually rode
pillion
• Wills1978:girlsdidnot
enter into the
cameraderie, competion
and knowledge of the
machine
• Inthissubculturewomen
were either girlfriend of..
Or ‘mama’ figure
MOD
More style appearing, mod girls wear very similar style to mod boys, contrast to biker culture, mod culture fits better into the 'parent culture' where young people be log, allows it to be fit in without attracting to much attention. Girls could be a face in mod culture, a status within the culture. Working class people had jobs and money to spend to develop this identity. This is represented in Quadrophenia (1979) with the cultures in London.
Mod culture springs
from working class
teenage
consumerism in the
1960’s in the UK
• Teenage girls worked in cities in service industries for example, or in clothing shops where they are encouraged to model the boutique clothing
• Teenage girls worked in cities in service industries for example, or in clothing shops where they are encouraged to model the boutique clothing
Hebdige outlines the
hierarchies within the
mod subculture
where “the ‘faces’ or
‘stylists’ who made up
the original coterie
were defined against
the unimaginative
majority...who were
accused of trivialising
the mod style”
HIPPY GIRL:
Subculture arises
through universities
of the late 60’s and
early 70’s
• Middle class girl
therefore has the
space to explore
subculture for longer
before family etc.
• Space for leisure
without work:
encourages ‘personal
expression’
Hippy girl, more likely to be middle class, comes out of university experience, middle class female more likely to have access to that space to find yourself, time for personal expression before you settle down, have a family.
'Bad' hippy/ 'Good' Hippy:
JANIS JOPLIN / PEACE & 'FLOWER POWER'
RIOT GRRRL - mid 1990's onwards
A type of third wave feminism, a lot of the issues that were covered by the bands in this scene were serious, such as rape, sexuality, anything to do with empowerment at the time. Less about the music and more about the protest, punk ethic, D.I.Y etc. Its not about the music, assertive female figure in the industry.
Underground punk movement based in Washington DC, Olympia, Portland, Oregon and the greater Pacific Northwest
INFLUENCES AND ORIGINS:
The Raincoats, Poly Styrene, LiLiPUT, The Slits, The Runaways/Joan Jett, Patti Smith, Chrissie Hynde, Exene Cervenka, Siouxsie Sioux, Lydia Lunch, Kim Gordon, Neo Boys, Chalk Circle, Ut, Bush Tetras, Frightwig, Anti-Scrunti Faction and Scrawl.
RIOT GRRRL???
Referring to the unpleasant race riots, she writes:
Mount Pleasant Race
Riots in 1991
• Bratmobile member Jen Smith (later of Rastro! and The Quails), reacted to the violence by prophetically writing in a letter to Allison Wolfe: "This summer's going to be a girl riot."
• Bratmobile member Jen Smith (later of Rastro! and The Quails), reacted to the violence by prophetically writing in a letter to Allison Wolfe: "This summer's going to be a girl riot."
They produce fan zines that are based around issues they are reacting to, reproduces that PUNK D.I.Y aesthetic.
What makes this a true SUBCULTURE?
Zines revived from
1970’s DIY punk ethic
• In turn this was influenced by posters and graphic design from the Dadaists in the 1920’s 30’s
• Women self- publishing their own music
• In turn this was influenced by posters and graphic design from the Dadaists in the 1920’s 30’s
• Women self- publishing their own music
This influence, historical influence from the Dadaists in the 20's/30's. Gives women a voice in the music industry
RAOUL HAUSMANN - DADA
ABCD Self-portrait
(1923-24)
• “Like the author of the the surrealist collage typically juxtaposes two apparently incompatible realities” (Hebdige: 1979)
(1923-24)
• “Like the author of the the surrealist collage typically juxtaposes two apparently incompatible realities” (Hebdige: 1979)
Media attention turns to GRUNGE scene:
Courtney Love and Hole
• Style without the
subculture
• Distorts even further
as the 90’s continue
into the more more
media friendly Spice
Girls use of phrase
“Girl Power”
Distortion of the riot movement, an example of the style but without the sub culture, without the politics, this is highlighted more in UK with Spice Girls
Band styling presents
a set of visual ‘types’
that are easily
consumable by the
target audience
• There is no empowerment for young women as there is nothing but the reduction of young women to cartoon representations
• There is no empowerment for young women as there is nothing but the reduction of young women to cartoon representations
Dick Hebdige subcuture: The meaning of style
“Subcultures represent ‘noise’ (as opposed to sound): interference in the orderly sequence which leads from real events and phenomena to their representation in the media.”
Hebdige is getting us to look at subculture in a separate way as opposed to the media.
The commodity form:
Subcultural signs like
dress styles and
music are turned into
mass produced
objects
• Eg: clothing which is ripped as an anarchic anti-fashion statement becomes mass produced with rips as part of the design
• Eg: clothing which is ripped as an anarchic anti-fashion statement becomes mass produced with rips as part of the design
A threat to the family?
Makes the punk culture unthreatening, they are being represented unfairly. Attack on a very British ideology
Womens Own 1977
runs a feature on
“Punks and Mothers”,
smiling, reclining next
to the family pool etc.
• Non political threat that ultimately will not disturb traditional values
Hebdige suggests that the press set up this perceived threat as away of neutralising something that could not be conceived by the petit-bourgeois therefore has to be ‘domesticated’
• Non political threat that ultimately will not disturb traditional values
Hebdige suggests that the press set up this perceived threat as away of neutralising something that could not be conceived by the petit-bourgeois therefore has to be ‘domesticated’
ZANDRA RHODES 9CT WHITE GOLD DIAMOND SAFETY PIN BROOCH:
Although punk seems to challenge eventually and surprisingly quickly it goes mainstream/high end and is turned into “To shock chic” which marks the end of the movement as a subculture.
Punks transforming the object in a rebellious statement.
Similar thing happens with Grunge, the rise of Nirvana, subculture - appears on catwalks before its even begun
21st CENTURY DEMONISATION Hoodie becomes the symbol of the demonised aspect of social society, a strong identity but means you can be unidentifiable within that group
“Style in particular
provokes a double
response (in the
media): it is
alternately
celebrated (in the fashion page) and ridiculed or reviled (in those articles which define subcultures as social problems)”
celebrated (in the fashion page) and ridiculed or reviled (in those articles which define subcultures as social problems)”
BRICOLAGE: a sampling of different cultures, looks at teddy boy from Edwardian society, looks at the meaning of the clothing as its context is changed. Garments moved into mass production as time goes on.
ROGER MAYNE (1956) produced quite substantial work on teddy boys
Teddy boy culture
was an escape from
the claustrophobia of
the family, into the
street and ‘caff’.
THIS IS ENGLAND (2006) SHANE MEADOWS
The new kid on the
estate transforms into
a British Skin
• His dad has been killed in the Falklands War and his new friends become a surrogate family
• His dad has been killed in the Falklands War and his new friends become a surrogate family
Kid is example of individual that has been alienated from traditional family, new friends become a type of surrogate family, film is interesting in its investigation between the skin head style and the politics of the national front, film is effective in making that definition really clear, from the time media demonised skins as national front supporters. The film ends with the disturbing scene where Combo beats Milky up, violence triggered by Milky inviting Combo round, Combo can't get his head round the combination of himself and someone who is different to him. You get an example of this working class conflict in a sub culture.
The film explores the
difference between
the skinhead style
and the politics of the
National Front skins
as they infiltrate the
working class estate
in the UK in the
1980’s.
The subordination of
Milky as ‘other’ by
Combo
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